Tuesday, July 19, 2011

Mother and Child

This particular town, our town, is the kind of town that has an immeasurable kind of beauty associated with it, the likes of which our youth never realize until it becomes time for them to leave their home for the sake of education. The cycle goes in such a way that they become inflamed of their new surroundings but remain unconscious of the fact that they have not yet reached the point in life in which things stop being sensuous. But let's say that perhaps they fall in love with travel. And so they travel the world over, if they are so socially and financially inclined, and if you asked them what they were searching for, they would say “beauty” or “truth,” and perhaps they would obscure their response in such a way as to make no division between the physical and the metaphysical. But lets not assume that they've gotten there yet. They're searching for beauty, and they discover it in unfamiliar mountains and plains, cities and towns, rural areas and urban, people as well as earth, and they relish in it. Their travel yields perspective. They experience that tickling sense of foreign immersion in color, the color of their skin and the color of the dirt. And this is what reminds them. And if they happen to have a companion on their journey, so much the better, but the lack of one does not yet prevent them from having this cathartic experience.

But in all of this, mountains and plains, cities and towns, rural and urban, people and landscapes, I have overlooked the trees. For upon returning this young person encounters a sense of beauty that seems to immediately supercede those that he encountered on his journey. Perhaps he says to himself, “I've seen beautiful mountains, fertile plains and dry deserts, but there is a subtle degree to which I still feel unsatisfied, as if I were searching for something that the conscious part of me was unaware of.” But if the answer to our conundrum is simply “trees,” are there not trees in mountains? Are there no forests apart from those of our little town? Surely in all his journeys he must have come across some lush forests, forests far more dense and diverse than those of our town. Why is it, then, that he experiences such keen catharsis upon examining the trees of his own neighborhood while taking a simple stroll around the block?

“There is something different about these trees,” he says. He cannot help it; he eventually succumbs to the conclusion that the trees of his own neighborhood are simply more beautiful than any he ever saw during the course of his travels. “Perhaps it is their tallness,” he wonders. And yet, he begins to think whether that in all of his attempts to witness so many far-off places, the kind of beauty that he may actually have been looking for was the kind found in those trees that grow right there in his own neighborhood. “For,” he wonders, “why was it that when I was in the desert all I could think about was how I wanted to see trees, but when I was in the forest or the mountains, all I could think about was how these trees were not our trees.”

And so we find that the trees of our town lend to it a particular sort of cultural nostalgia. Perhaps it is the way in which they overshadow the quiet country roads. Perhaps their foliage is actually broader and more beautiful than any other place in the entire world. Perhaps, most of all, it is the sense of contrast they give to this temperate town.

Our town is a place of growth, where man and nature are co-witnesses of each other's maturity. And let me tell you, our friend was right, there really are no other trees like these in the entire world. For these are the great hardwood trees of the northeastern United States. In the space between the equinox, they are the reason the entire world fixes its eyes upon this small corner of the earth. To a child, they are limitless. To an adult, they embody the very essence of shalom. They are tall trees, taller than almost any other trees in the entire world, and in the summer the children of our town would play under the shadow of their leaves.

These particular trees, however, were not located in that small corner of the world. They were west of the beautiful Northeast- in the Midwest. This was what constituted a large part of their unusual appeal. They were rare. When you’re looking at fields, you see trees. The grass is brown, but the leaves are always green.

It was among these trees that the mother of our family brought her newborn son.

The mother, with her back bent over against the sky, asked the child if he could see the trees, and with a quiet gesture reminiscent of some disturbed peace, gently unfolded the flap of the stroller, exposing the infant’s eyes to the light of the May afternoon. Then slowly, with the air of a human being utterly conscious of intent, she exhaled deeply, and gracefully returned her hand to its normal resting place.

Around the two was a small lake, the shores of which slanted gradually upward in this part of the world not known for geographical variances. On these small hills the rich people of our town built their houses with wooden doors and large glass windows looking out onto the lake. They were always present, but never home. On the opposing side, the side on which the mother stood over her stroller, was a large grove of those amazing trees I was telling you about.

The child, with legs exposed, lay on his back facing the sky. Underneath him was a thin white blanket the mother had purchased at the department store. It did not cling to his skin (as fabric does on the days of hopeless humidity in the summers of our town), but provided his legs with the rare feeling of a dry and perfect cool. Such days come only several times a year, when nature proclaims death to its extremes, and its raucous poles, for a short time, relinquish their polarization.

Staring upward helplessly, the child’s pupils glistened in the afternoon light, reflecting in them the broad canopy of leaves under which he lay. And what a canopy it was! The broad leaves of the maple trees filtered the light so that, when he looked up, the child witnessed a particularly golden type of light, the purest of the pure, not unlike witnessing the sunset though it was still mid-afternoon. The infant, whose mother named him Lucas, was seeing the purest of the pure.

This pureness also saw him. The leaves, too, shaded him. And the mother loved him, absent yet of many of his inclinations. His legs, bubbled with fat, twitched, and his face contorted. All of his body moved in the new medium of air. Lucas was never born into a vacuum.

The mother, with back bent over against the sky, asked her child if he could see the trees. But the infant’s legs just twitched, and his face swung.

Our mother, whose name was Angela, found herself increasingly irritated at the tepid movements of her child. She was angry at his inability to feel guilt. This was because, if Angela were honest with herself, she was a little bit envious of her child’s lack of consciousness. This, however, was not the good kind of envy, the kind that gives you a healthy dose of holy admiration. No, Angela’s envy of her child was more of a jealous poison, and both she and God cultivated the root.

For Angela Erma, these frustrations bubbled over that day underneath the trees beside the lake. What we must understand is that this woman had been through a little bit more physical and psychological stress than, say, your average person. As to the exact causes of her emotional instability I cannot say, for I have to tell you that I do not know. What I can tell you is that she was a scrawny woman with blotchy pale skin and sunken eyes. The second daughter of Earl Blonski, a cattle rancher from Laramie, Wyoming, she was born on the family ranch in 1935. She grew up with somewhat of a peculiar and introverted psychological disposition, divulging into obscure subjects at school and home. Moreover, she suffered from Hemophilia.

When you, the reader, understand this fact, you may actually find that it is easier for you to dig deeper into your soul in search of that atom-sized kernel of grace that you know is still there. I know, it’s hard. It’s difficult to give grace to this woman when you do not know her story. And truly what I’m asking you to do is a little bit ridiculous. When I say, “I do not know her story,” it’s perfectly possible that you may choose to disbelieve me. I’m asking you to give her grace while at the same time telling you, “I do not know why you should give her grace.” But men must act irrationally every once in a while, if only to buck the trend. Soon, very soon, I will ask you to cultivate a feeling of hatred for an innocent child. So there you have it.

Angela Erma knew a thing or two about irrational behavior. Indeed, this behavior did not go unnoticed by the citizens of our town. One particular story involves an incident that happened at the Laundromat on Delancey Street, near the center of town. It was an old Laundromat, one of the oldest buildings in town, and one of the few that had not been renovated to reflect the charming architecture of the rest of the town. The story originated with Susan Carter, but spread like boredom through the trees of our town. She told the story to her neighbor, Lisa Campbell, that evening after dinner in her living room. The two mothers had begun talking in the street in the cool of the evening. Susan invited her inside, and the two sat together in the living room drinking tea.

“I had dropped off my laundry earlier in the day, see. I dropped it off, so that I could come back to it later. I dropped it off so that I could take Liza to the store. Well, I took Liza to the store, then I came back, and there was Angela Erma, wearing that white-old polka dot dress she always does. And, well, what would you say’in is to be so strange about that? Well, I’ll tell ya. She was just sitting there. All the other ladies is folding and talking and smiling to each other, she was just sitting there, dumb as a bag of hammers, staring at the washing machine going round and round and round agin. Sitting there with that white-old polka dot dress coming down over her knobby-old knees. And it warn’t like she didn’t have nothing to do! There was a pile o’ cleans next her that she could ha’ been folding, but she just sat there staring off at that old washing machine. Staring into the circle, that’s what she was doing. Staring into the circle with those blotchy white knees hanging out.”

“Well, what happened?” Lisa asked.

“Well, I finally got up some courage to go an talk to her, I mean, to go talk to her, you know, like say hullo and all that. Well, I says ‘hullo’ and she says ‘hullo.’ I start asking about how things are with her little boy. You know she had a little boy? She had a little boy bout three weeks ago. Well, I was asking about her little boy, when outta nowhere, outta nowhere she starts blabbing off bout her hemophilia, see, bout how she’s scared of being touched. Said she almost died giving birth to that boy… Lucas, his name is, and how that cousin of theirs, Sima, got so angry at her the other day that he almost tried to make her bleed. And how Lucas was watching right there in his stroller, all the while crying his little head off! Then I asked her, where’s that boy now? She left him with Sima! Lisa, the travesty of it! Imagine that crazy little devil taking care of her newborn!”

“Well, suppose it was necessary somehow.”

“Necessary? Lisa, ain’t nothing this woman does is necessary. What’s a need anyway? ‘I gotta do my laundry, hand ‘im over!’ Now there’s sacrifice for ya! A regular Jesus Christ! Leave the kids to rot, I gotta do my laundry!”

“It happens,” Lisa said. “It might happen, sometime. All I’m saying is that somewhere there might be a time when we could excuse that particular action. I mean, let it go, we could choose to. The time would have to be right, and the place too. But, you know, I’m wearing her shoes here, I’m trying, and, well, I mean, I dunno Susan. What’s right? Well, what happened then?”

“Well, ain’t normal. S’all I know. Ain’t normal at all. Liza walked in, then, and I excused myself, you know, in a polite-like manner of course, polite as I know how. And she went back to staring into that machine, regular as breathin. More tea?”

This was the kind of argument going around in the living rooms of our town. Soon everyone heard about how Angela made a habit of leaving her newborn child at home to go to the Laundromat. And sure enough, people would go to the Laundromat themselves on Saturday mornings in the summer, and there she’d be, alone, sitting on that chair in her while polka-dot dress with her knobby knees hanging out, worried sick about bleeding to death. It got people thinking, at least.

But this all leads us up to what happened at the lake that day. The truth is that Angela had caught wind of her notoriety among the citizens of our town. This created in her a neurotic desire to justify her actions, which in turn drove her to the point of mental and emotional collapse. For some reason unknown to us all, Angela began attempting to convince herself that her three-week old son was worthless. No one knows why this happened, but everyone knew that Angela seemed to think that what she was doing was perfectly normal. In fact, it appeared to the citizens of our town that Angela acted as if her actions were the only logical actions given the particular situation. “How else could I act in this situation?” she seemed to be saying. Yes, she was a real moral woman, and she acted on her principles. Nothing demonstrates this more than the incident beside the lake that day. Looking into the stroller, into the face of her adorable little babe, Angela clenched her fists, and, foaming at the mouth, spoke with a loud voice that afternoon beside the lake:

“How am I to help my son? Should I hope for you? Would you involve me with you? In future times I plot your course, or scribble on the page? I am bending over you, then drawing back. Bending over, drawing back! Should I leave my child? Should I leave you? Fashion for me my expectations! Most of all tell me, what is virtue?

“How am I to help you? I could have great hopes for you, Lucas, wonderful expectations. Tell me, am I to believe that? I would spend on you, put the meaning of my life in you. What would you need? Money? Education? Status? You would have them. I would put you in a place of expectation. They would train you. ‘There’s something deep inside you,’ they would say, ‘like a parasite.’ Then they would place a small morsel on your tongue. You would be like a monk, Lucas, only you would have something important these monks don’t have. Do you know what that would be, Lucas? I’ll tell you. Human expectation. Everything in your life is based on an identified quantity of stored energy. The monks engage in the same habits without any premonition of worldly accomplishment. You would suffer for the sake of your potential. But all these things- they are based on investments. What is my return? Vicarious greatness, Lucas, in the immanent world.

“How am I to help my son? I’m bending over, then drawing back. I could surrender you to the map of Mother Earth. Relinquish. Tell me, would she care for you? I would set you down on the warm grass in a sheltered wood, and there I would leave you and these great expectations. Would you survive? Even if there were a shallow pool and the most accessible apple trees in the entire Midwest, you would not survive. But this is not the point. I would be helping you. She would swallow you up, but I would be free. No commitment, Lucas, I would have no commitment. In that moment I would make this grandiose speech about how I am surrendering up your life to the flustered broadcaster. He does the work, but he revises his plans. He is sitting at his desk, throwing the old copies over his shoulder.

“But even more than your life (I would say), I am surrendering my expectations. For when do men stop mourning for the loss of their child? After they have made peace with the fleeting pain the child may have suffered at the precise moment of their death? Perhaps, but surely this is but a small fraction of the whole. No, men mourn until their expectations are lowered. This is how boys become men and how men become old men. In the early stages of their grieving, they say things like ‘You could have been a great man,’ and they cry for the recognition their child will never receive. But it a curious thing to witness those who appear to abandon all hope. They are jokers, then, and they always succeed unless you can come up with a sound and legitimate reason for peace. When you have contrast, Lucas, life blooms. This is why I am hell-bent on making your childhood particularly shitty. Maybe you’ll get a cloudy day or two. A reflection, perhaps. How am I to help you? I’ll teach you curse words, and how to scream. Screaming in the streets, Lucas, there’s screaming in the streets.

“Surely we must now consider suicide together. Haven’t you considered, Lucas, whether the best thing right now for the two of us wouldn’t be to drown ourselves here in this lake? Yes, I do believe the best possible scenario may be to ship you down the Nile, Lucas. Or tell me whether you would not honestly have me leave you in a trashcan somewhere to fester with your being? You always talk about dying, Lucas, and for that I am eternally grateful.

“There I go again, thinking that I care about you. But tell me Lucas, can I really desire anything bad? I mean, I’ve planted my little seed here (my little experiment!) and I’m trying really hard! I’ve watered it, and now I’m gonna see if it grows. It’s like throwing rocks at the little kid on his bicycle. Sooner or later you gotta bring on the test. The kids will cheer you on. They’re standing next to you on the sidewalk, yelling in your ear. ‘Do it!’ they say, over and over and over again. And in that moment you finally reach the point where you wonder whether you can really make him bleed. But even if you did, what would you say? ‘Serves him right, the bastard!’

“Maybe you actually know, Lucas, or maybe I do. Maybe I am the one who gives the definition! Ha Ha Ha! What if I’m the one who knows what the good things really are? What happens when I wake up one morning with a splendiferous appetite for suicide? We’ve gotta go, I’d say! To the trashcan, Lucas, prostrate!

“It’s inevitable, Lucas, the expectation. The clock only moves one way, but it’s always moving. Either life or death- things for which I can pray. And which is better? Binary, Lucas, my position is binary! I’m drawing a line, Lucas, but the broadcaster bends it to a circle! How am I to know? The wisest man says, ‘I am not wise. What is a definition?’ We do not possess the faculties. Where is love and hate, hope and abandon, belief and….what? What are they? What is the universal definition? You know it! Sitting there in the peak of your maturity, you know it, but you cannot speak! We’re cursed! Listen! The babe knows the secret, but he cannot speak!

“No, it’s not worth it. You will come to nothing, and I will have wasted my time. I will not hope; I will not be disappointed. And that is why I am telling you that you are already a failure at just three weeks old. You will wander with the fairies, Lucas, and you won’t get anything done. You have already reached the peak of your maturity and you have let me down. Yes, you are nothing and will become no one. I’m taking that weight off my back. I will be free of you, Lucas, free of your screaming and your loss of innocence. Can you promise me, Lucas, that you will fail in this life? I must make sure of it. What collateral can you give me to ensure that my efforts are not in vain?

“You are scaring me, Lucas. I am concerned about the nature of my investments. I am scared after all that I have said that you will become a great man. And what shall you think of me when you do? You will call for me, and I shall be held to account! Dammit, Lucas, can’t I control you? Look, there is an angel in the sky! ‘All’s hell that is not heaven!’ You’re doing this! Stop! Stop Lucas, I beg of you! The seed is wilting! I admit it; I have proclaimed the death of my child!

“Ouch! Ouch! I have looked at the sky, and now my own words hurt me! I have cursed, then seen the limits of outer space! It hurts me so! I have become perceptive again, seeing all things. How could I doubt the meaning of sacrifice? It’s meaning is to cry! If only I could cry perpetually! Now, finally, I feel it coming over the mountains like a great rushing river! Where is my violence? Send if off a cliff! Where is that torturous noise? Bludgeon me with silence! Come with me! I will show you a garden, a beautiful garden! It is a garden of the West, untouched, an oasis of love. Drink from the fountain, Lucas, and I will be forgiven! You know that it must end with love! You know that we will all fall down and weep before the tree of life! You know how we will be bludgeoned with beauty, and how it will hurt more than a bullet from a gun! You, now, are always convinced of its beauty.

“I see now that you will become great no matter what I say. It is as certain as the damnation of Faust! You will bathe in the black hole and worship the broadcaster! Look! Your knee is already bent! He will show you places that we cannot face yet. He’s going to tear you to pieces. You will cry, everyday, for humanity. All you will do is cry! It is you that will leave me in the woods! O what has come over me? I was running a good race…

“How am I…to help my son? I have told you you will fail. So you will become great. Ah, now you see that this was my plot all along! O how I love goodness! Die, child, die! I am the most loving of all mothers! Don’t you see, Lucas? I don’t control your fate, but I will still be held to account. How am I to help my son? What is love, and what is loving? I scribble mediums, Lucas, in order to live.”

At this point, Angela Erma broke down and cried. At three weeks old, Lucas did not yet know how to talk. But if he did, there is no doubt that he would have comforted his mother. He would have told her that things were not as bad as they seemed. He was, actually, a promising young child, despite his mother’s violent emotions.

Wednesday, March 2, 2011

Sensitive, shrinking in the narrowing gyre
Upon the judge's cycle walk,
In circle.
Trusting truth to be the tandem.

Does human need deflect the rod?
To force upon the subject voice
Decision
And meddled mind to be the medium.

Then humbly to a wait so unhumble
Towards the trod of history's discernment,
Displayed
Will in the future be.

When you and I will not decide
The fate of sinful man,
Ourself
Will rest, for rest to be.

Upon the judges cycle walk,
Till a timely grave doth rightly swallow
A man.
And all his actions cast asunder.

Wednesday, January 19, 2011

The Sun

Inside the modest home of a Pennsylvania family one girl laughs while another girl cries.

The walls of this home are painted a warm yellow color, and in the coldest week of January they remind you that the sun is still a contributing being. The house is warm, like its owners, and gathered here are a small group of people. Some are sitting in the kitchen at the dining table. The rest are gathered on brown leather couches in the family room. This group of people is watching TV, and on the TV is a television show about becoming famous in America. Some people on the show are crying while others are shouting for joy.

Perhaps the lack of sun is the reason why inside of this house one girl is laughing while another girl is crying. The girl who is laughing is named Alicia, and the one who is crying is named Taryn. Alicia is a girl with uncharacteristically large eyes. All other physical aspects of her are relatively commonplace, except that she has numerous tattoos that cover her left arm. Alicia talks sincerely, even when it has the socially awkward consequence of making her seem naive. She is one of the people sitting on the couch watching TV.

Taryn is sitting in the kitchen, and she is crying for no particular reason at all. She is thin and has short black hair. Next to her sits a brown eyed girl who is attempting to comfort her by gently rubbing her back. Across from them sits Seth Arnold, a male youth of moderate build, who is also attempting to comfort the girl, but with less success. Probably the reason why Seth is having less success at comforting Taryn is because he does not quite understand the reason why she is crying, or if there is really any reason at all.

"Do you want to go for a walk?" he asks. Unable to speak through her tears, Taryn shakes her head. The girl rubbing Taryn's back gives him a look of pity, as if she understands his good intentions but acknowledges an invisible but impenetrable barrier between the two.

Later, when they are alone in the car, she apologizes to him for being so emotional.

"I'm sorry that I cried back there," said Taryn. "I'm not sure what came over me."

"It's OK," was all Seth could say.

The car in which they drove home in was a sheltering beacon of light in the darkness. It was a cave in which you could hide yourself from the elements and yet still be able to see the beauty of the night sky. In this way it was more like riding in a glass locomotive with reclining seats. Here one doesn't even have to worry about driving- you surrender your safety to the expertise of the conductor. It's part of what you pay for. Besides, a train can only move on tracks anyway.

So Seth found himself imagining that the roof of his car was made of glass, and he puttered along well below efficient speeds while doing so. Instead of all the houses, he imagined open land in every direction. Spectacular vistas ran before his eyes. Taryn was in his thoughts too. After all, she was physically no more than two feet from him in the passenger seat. For Seth, he was crossing the bridge from one familiar place to another. But for Taryn, she had left the familiar to go on an adventure with him, and now she was heading back.

The truth is that Seth had brought Taryn that night as a kind of social experiment, and while others in the room were laughing, she cried. This is how it all happened:

Dinner was being served that night in the yellow house, and the promise of camaraderie and fellowship had drawn Seth out of a detached state that he had been in for several days. Seth and Taryn were students together, and is it fair to say that they enjoyed good times more than bad times, and it was for this reason that Seth had convinced Taryn to come with him that night.

Yet to his horror, he found her crying around all these people whom he happened to know but Taryn did not. She started crying right when the girl with the ridiculous tattoos started laughing at the ridiculous people on the TV show. Seth started to think of reasons why Taryn might be crying.

"Perhaps she has a sister who is ridiculous," he thought. But then he remembered that sometimes people cry for no reason at all, and he resigned himself to the fact that the reason why Taryn was crying was for no reason at all, which actually just meant that there was probably a reason why she was crying, but he just couldn't access it because of these crazy barriers.

It was only later on the car ride home that Seth stopped thinking about the reason why Taryn was crying and started thinking about the reason why the girl with the tattoos was laughing.

At one point in the night somebody asked her about her tattoos.

"This one is a compass. It's black and white now but I'm going to get it colored in this week."

"What color are you going to color it in with?" somebody asked.

"These little spaces here are going to be brown, but overall most of it's going to be gold."

On the ride home, Seth was thinking about the idea that her compass was going to be gold. He found out a year and a half later that his social experiment had failed, but he did not give up hope.

Sunday, January 9, 2011

Twenty years ago on the desolate frontier of eastern Wyoming a man labors to hang a sign alongside US route 287. He is doing what men everywhere have done and will continue to do for thousands of years. Thousands of men hang signs alongside America's well-traveled roads, and yet for all these cases they are all strikingly similar. They are always nouns, and in this particular case the nouns that we are dealing with here are two very good ones- "espresso" and "internet."

Now just how do those words strike you? Do you see them in a positive light? Did you immediately understand the nature of the relationship between those two words? Why were these particualr nouns chosen over thousands (if not millions) of other perfectly single and available nouns in the English language? Why not "espresso" and "coffee" or "internet" and "computers?" I'm asking a lot of questions. This is where our character Jamie comes in.

Jamie is a human being in black and white ink. He exists for our purposes. Actually he exists for my purposes. I created him just now. And right now I have but one purpose- I am trying to write a good short story. He allows me to accomplish my goals by becoming the metaphorical embodyment of my philosophical ideas. He is my puppet, and he does my bidding. God allowed me to create him, just like God is allowing me to write this short story right now. But he stands on his own too, you know, only its in black and white.

But you and I were given a good set of crayons for our birthday, and we really owned them, and we stored them all the way up there in our heads, and we called them up whenever there was black ink on a white page. But when we were children, we did not know how to just color on the page. We colored the doors and the walls also. And so color was everywhere, and color was indistinguishable.

And so it is with Jamie. We can't really tell whether he's contained to the page or whether he sprawls out to cover the door and the walls too. But he's there somewhere, and when he looks at this sign as he is driving by that says only two words, "espresso" and "internet," he is confused.

"What would cause a man to act in such a way as to labor himself with the process of constructing a sign with such odd nouns printed on it?" thought Jamie. And what's more- the nouns were printed directly adjacent to each other with no other contextual information given. Jamie thought to himself, "How is it that I am supposed to understand the meaning of these two words printed right next to each other?"

Apparently what they were was the representation of particular services rendered at a specific location. So, for instance, if somebody wanted espresso, they would stop at this particular concrete building underneath the sign. Likewise, if somebody wanted to use the internet, they would also stop at this building. And if it so happened that a particular somebody happened to want both "espresso" and "internet," well then, today was their day. But, as Jamie found out, this place offered many more services than simply "espresso" and/or "internet."

For it was winter in Wyoming, and when Jamie went inside he found himself immediately surrounded by warm air. So the place could have put a sign next to "espresso" and "internet" that said "warm air." He also found bathrooms in which he could relieve himself. Thus they could have added another sign saying "service of going to the bathroom." There were tables to sit at. Jamie wondered why they did not put up a sign saying "service of comforting yourself by sitting."

What other wonders this place could have put on their sign! They could even have had a rotating sign that would switch in the summer to say "cool air," for nobody wants warm air in the summer! And besides, this fabulous establishment had a large air conditioner bolted to the side of the building. Jamie was impressed.

And yet he wondered- for all of these spectacular services, why did they choose "espresso" and "internet" to be the ones that would be displayed on their sign next to US route 287? Was it perhaps because they wanted more people to stop there? Why would they want more people to stop there? Perhaps they would make more money. Why would they want to make more money?

Jamie couldn't answer this question himself, but he was fearfully timid of asking the generously occupied employees working in the concrete building. "What am I to do when I do not know?" Jamie wondered. The question was simple enough, and honest. In his brain, he began to weigh all of the possible options for the sign on this magical old gold-plated scale. In the center of the scale was a perfectly round ball. The ball remained in the center as long as the scale was balanced. But whenever Jamie would consider one of the reasons why the builder of this sign chose to put "espresso" and "internet" upon his sign instead of something else, the scale would start to lean one way or the other. As a consequence of this, the little ball would roll in perfectly incremented degrees in the opposite direction, creating a sort of diagonal pendulum in which things were both equally balanced and yet unbalanced at the same time. As soon as Jamie became convinced that he had found one word which was, for some reason, more worthy to be placed on the sign than the words "espresso" and "internet," the little blue ball would direct his attention to an equally plausible word or phrase on the other side of the scale. And the scale had a lot of trays- there was one for each of the possible words or phrases that could have been written on the sign: the service of satisfying thirst, the service of reading (the building had some books and newspapers), the service of meeting new friends, and on and on and on. Jamie had this crazy inclination that one of these words or phrases must be more worthy than the others, yet the little ball never seemed to remain in the center. Ultimately he decided that their either must be something wrong with the scale, or else he was not using it correctly.

Jamie spent so much time weighing all of these options that his car soon skidded off the road. He awoke from this dream state and realized that he was now well 50 miles past the sign above the concrete building next to US Route 287 in eastern Wyoming.

His eyes suddenly fell upon an older gentleman walking towards him on the shoulder of the road. He was gaunt and unshaven and his backpack was well worn. He knocked on the driver side window, and when Jamie rolled it down, he said "Can you believe me if I tell you that all I want you to do is drive?"

II

Jamie Loghorn was the son of Michael Loghorn, an actuary in the town of Pinedale, Wyoming. Michael was a shrewd man who, by a vigorous process of self-education, sought to escape the poor, agrarian lifestyle of the frontier for a more lucrative, town-centered life. His Loghorn ancestry had farmed the Pinedale valley for over three generations. In his youth, Michael had criticized what he saw to be his family's opposition to change; they were slow to adopt new agricultural methods, choosing instead to farm the old fashioned way. In time, Michael became fearfully ashamed that some townspeople viewed his family as "backward." This gave him an unquenchable desire for the knowledge of his day, and he put his mind to the task of study for hours at a time inside their lonely whitewashed house.

The irony was that, perhaps because of his attachment to the land, Michael merely exchanged a highly rural lifestyle for a moderately rural one. And in terms of his occupation, he had merely exchanged one marginally reputable trade for another. For three generations the Loghorn family had depended upon the local farmers who conducted much of their business in the town square.

Pinedale was a town of about 500 at the base of the White Ridge mountains in Western Wyoming.

Thursday, January 6, 2011

the new year looms like a burnt out lightbulb, and after returning i find the dissonance of the city less and less avoidable. the days come about like spurts, and i find myself traveling from home to work to practice to work and then to home again. there are moments of enlightenment- beauty in volunteerism, peace in beauty. then there are moments of self-realization, like when an external perception of yourself suddenly becomes consciously accessible.

right now, the small town west is embellished, but ive been believing lately that there's actually something there. the silence counts for a lot, in my book, at least, right now. Eliot says we must go through what we are not, and i am most certainly not a smalltown boy. i say this now with some envy, but the direct object swings on a pendulum, and the scales always find a way to level out. the skyscrapers are next to the mountains. the ghetto is next to the ivy league.

Friday, December 17, 2010

we seem mysteriously unable to discern the proper emotions when approached with the reality of a winter's night on the frontier. for there is fear, deep fear; the openly desolate is cold. the juniper knows, somewhere inside of its frontier DNA, that its destiny is a mere two feet, so it crowds in numbers, in disproportionately concentrated distribution, across the landscape, but is dwarfed so that you can still see the awful curve of the earth above its human-less edges.

the mountains loom. the darkness gathers with the ice. fear is proper. and it drives me to a joyously desperate hurrah; that here, fear is the beginning of understanding. so i shout out loud, hoping desperately that my sounds may extend beyond the borders of this wheeled metal and glass. the fear is what gives me the joy. the contrast is like that of the moon with the mountains; in the bitterness of the winter, it is only the illuminated snow on the mountains that gives me light to still distinguish mountain from sky, tree from plain, road from earth.

Thursday, December 16, 2010

The road north out of Granby lead me into the mountains, past the Continental Divide, and down finally onto a snow-covered high plateau.

The view was painfully beautiful; possibly the most beautiful stretch of 100 miles I have ever driven. It was one of those times in which I was fully conscious that my eyes were vigourously engaged in filming a movie of memory: first the eyes take in the colors, then the mind transcribes them deep into the subconscious. Here, the sensations were so strong that no camera was needed to provide insurance against the thought that the landscapes which surrounded me in that instant might not be permanently recallable to my future dream world. Memory alone was sufficient to convince me that the beauty of what I was experiencing was not a dream.

On my journey towards Jackson, Wyoming, the sublime feelings with which i brushed paths with true redemption and encountered the very essence of the divine soon gave way to a paralyzing psychological fear. Despite the sunny weather, the dashboard thermometer soon plunged into the single digits, and the desolate road (on which I encountered approximately one automobile for every 15 minutes of driving) soon became completely covered with a glossy layer of ice. As the high winds swept down the plain, I felt the car slide eerily across the double yellow numerous times. Speeds were lowered. My concentration was heightened. I wrestled with the god of loneliness for more than an hour. He knew I was coming(our appointment was long overdue), and he waited for me on that snow covered plain. "You're not allowed to bring anyone," he said. So the passenger seat was empty, and the radio was off.

And then, after much perseverance, I pass again into the mountains. This time, however, I descend. The temperature rises, the snow disappears, and I soon find myself in another tremendous valley. This valley, however, does not threaten me. The roads are black, and the town of Laramie, Wyoming lies visible 15 miles in the distance.

In the town of Laramie, Wyoming there is a cafe called Grounds. It is next to the University, and it has internet and a bike rack. There is where i sit writing this, en route to Jackson, Wyoming.

Friday, December 10, 2010

inside of the new todd m. beamer student center is a tile floor. its colors are are all shades of grey, yet it demonstrates a remarkable sparkle under the colorless light, so remarkable that one half-expects to encounter the facility's fastidious janitor groveled over with a container of baby wipes, diligently scrubbing off every casual scuff left by the formal-hating pubescents that scour the halls.

the sparkle of the place is not limited to the floor: the walls are a newly painted beige color with a broad red stripe down the middle, and there are chairs and couches clustered around coffee tables, much like the waiting area of a doctor's office. the doors, too, seem to follow this theme: large, square doors evenly separated down a generously wide hallway. the symmetrical bathroom doors have clearly marked signs for Men and Women.

this is the newest building on campus, and yet it is constructed with brick that is eerily similar in hue to those buildings adjacent to it that are several decades old. on one of the interior walls there is a mural in which is inscribed, "he is no fool who gives what he cannot keep to gain what he cannot lose." the quote is that of Jim Elliot, a 1950's missionary who was murdered in the Amazonian rainforest by the Ecuadorian villagers who he was trying to evangelize.

buried in one corner is a cafe with bars instead of tables. it is late and night, and several clean looking girls are casually talking to the lone employee behind the counter. there is an l.c.d. screen mounted to the wall which displays the 150th anniversary of the college and commemorates it with a verse: "One generation will tell of your works to another..."

in its spotless architecture, the place brought to my mind two other places, all with similar cultural associations despite being in comparatively distant parts of the country.


the first is this place in a town called Gap where we once played a show. right in the middle of rural lancaster county stands this daunting complex bordered on all sides by miles of flat, open farmland. with huge parking lots and inviting street lamps, the place looks as if it was built in the suburbs but then packed up and dropped at random somewhere in the middle of podunk lancaster county.

the Family Center of Gap contains a cafe, gymnasium, several lounges, as well as offices for services ranging anywhere from music lessons to financial consulting.

at the entrance, the reflected light off of the glistening tile floor directs your attention to the walls of a long hallway on which are mounted somewhat awkward photographs of local children and adults of all ages engaged in numerous activities like dodgeball and music. it is clear that some of the children have mental and physical handicaps.


the second place is the Biblical Learning Center at Philadelphia Biblical University, which, to use their own words, "was constructed in 2001-2002 and has 19 state-of-the-art classrooms." there is a lounge on each floor in which several unornamented chairs are clustered around a large lcd tv. in between classes, students are capable of grabbing the latest headlines while simultaneously telling horror stories about their upcoming finals. there is also a newly renovated coffee shop that attempts to emulate the architecture and atmosphere of modern american and european cafes, yet is still unable to escape the feeling of a overly sterile cleanness.


the third place is Christ Community Church in my hometown of West Chester, PA. i remember when we first went to visit. my first reaction as a child of about 10 or 11 was that the place looked and smelled much like a doctor's office. the same tile floors and square doors, the same long, wide hallways, the same coffee shop-esque youth-rooms designed to draw in the crowds.

i was talking with a friend tonight in the new todd m beamer student center. he said that the architecture of the place was too safe. thats what made me think of these other places.

"that's why the sex feels so dirty," he said, referring to the dirt.

Thursday, December 9, 2010

there is a cold silence in the drive, and it is warm. but you cannot tell...you cannot tell whether that contented solitude you feel is a rare moment of prelapsarian happiness or a aberrated defense mechanism. for the elusive feeling wears the mask of both courage and fear, hate and love, good and evil, contentedness and holy discontent.

a child will ask, "which is right?" and i will say, "love, my dear, and peace." but peace cannot be the highest good, for we do not say "peace" to our starving brother. we feel ill at ease until we stick our own hands into his mouth, then watch silently from afar as the heaving slowly ceases in degrees of time unmeasurable to us.

between these strands exists a continuum, of which we are perpetually struggling to define, and yet we can afford to delay no longer. we act. we live, and we love. and most of all, we stop thinking.

and then, like a fairy tale, the snow starts falling in that childisly nostalgic town precisely at the moment in which you arrive for the second time.





Miles driven today- 760 (Downingtown, Pennsylvania to Wheaton, Illinois)

Favorite Find- The Low Anthem, Tiny Desk Concert
http://www.youtube.com/watch?v=QvyREQwc7qQ



Wednesday, December 8, 2010

wild west in december trip playlist:

the list, at least musically, is a combination of B-sides/older stuff as well as some of my all-time favorites. Because of the ample amount of driving time involved, the playlist was organized around whole albums as opposed to individual songs.

Music:

The Album Leaf- Green Tour EP, In a Safe Place, Into the Blue Again
Amos Lee- Amos Lee, Supply and Demand
Anathallo- Hymns
Arcade Fire- The Suburbs
Arvo Part- Spiegel im Spiegel
Bad Books- Bad Books
The Beatles- Let It Be
Ben Harper- Burn to Shine
Ben Kweller- On My Way
The Black Keys- Attack and Release
Benjamin Gibbard- Home: Volume V
Black Rebel Motorcycle Club- B.R.M.C
Bob Dylan- Another Side of Bob Dylan, Bob Dylan Live: The Royal Albert Hall Concert, Bob Dylan's Greatest Hits, Dylan, Dylan and the Dead, Highway 61 Revisited
Bright Eyes- Digital Ash in a Digital Urn, Noise Floor (Rarities)
Bruce Springsteen- Greatest Hits
Cat Power- The Greatest
Clem Snide- The Ghost of Fashion
Conor Oberst- Conor Oberst
Copeland- Beneath Medicine Tree
The Cure- Greatest Hits
Denison Witmer- Are You a Dreamer?
Dirty Projectors- Bitte Orca, Rise Above
Dr. Dog- Shame, Shame
Eisley- Marvelous Things
Elliot Smith- Either/Or, XO, Roman Candle
Erik Satie- Works Vol. 1
Ever We Fall- We Are But Human
A Fine Frenzy- One Cell in the Sea
The Format- Interventions and Lullabies
Good Old War- Good Old War, Only Way to be Alone
Guster- Keep it Together
Headphones- Headphones
The Honorary Title- Anything Else but the Truth
The Innocence Mission- Christ is my Hope
Iron and Wine- Around the Well
Jars of Clay- The Long Fall Back to Earth
John Coltrane- A Love Supreme
Johnny Cash- American IV
Jon Foreman- Fall, Winter
Joni Mitchell- Blue
Kevin Devine- Brother's Blood
Lovedrug- Pretend You're Alive
Manchester Orchestra- I'm Like a Virgin Losing a Child
Modest Mouse- The Moon and Antarctica, This Is a Long Drive...
The Mountain Goats- Tallahassee
The National- Alligator
Nick Drake- Pink Moon
Nirvana- Nevermind
Owen- At Home with Owen
Page France- Hello, Dear Wind
Paul Simon- The Essential Paul Simon
Pearl Jam- Vs.
Pedro the Lion- Control
Phosphorescent- A Hundred Times or More, To Willie
Relient K- The Creepy EP
Right Away, Great Captain!- The Bitter End, The Eventually Home
Sigur Ros- Von
Sonic Youth- Dirty
Sufjan Stevens- The Age of Adz, Enjoy Your Rabbit, Songs for Christmas
The Tallest Man on Earth- The Wild Hunt
This Day and Age- The Bell and the Hammer
Thom Yorke- The Eraser
U2- War
Watashi Wa- Eager Seas
Weezer- Hurley
Wilco- Mermaid Avenue
Yo La Tengo- I Can Hear the Heart Beating as One
AA Bondy- American Hearts
This Frontier Needs Heroes- This Frontier Needs Heroes

Books:

Travels With Charley in Search of America- John Steinbeck
The Waste Land and Other Poems- T.S. Eliot
Gilead- Marilynne Robinson
A Christmas Carol and Other Christmas Books- Charles Dickens
40 Short Stories- A Portable Anthology (Chekhov, Poe, Melville, Hawthorne, Joyce, Kafka, Faulkner, O'Connor, etc.)

Podcasts/Lectures:

The Romanovs and the Russian Revolution- John Merriman, European Civilization, Open Yale Courses
Philosophers and Kings: Plato, Republic- Steven B. Smith, Introduction to Political Philosophy, Open Yale Courses
The Infant Cry of God- John Rogers, Milton, Open Yale Courses


that took a long time to write.




Saturday, December 4, 2010

in an attempt to throw some discipline at a concept i have heretofore deemed so off-the-cuff, i will be using this little webspace as my blog for my December 2010 trip out West. i am going to attempt to blog everyday, even if the extent of my entry is but a dull and monotonous retelling of albums currently on repeat and NPR station maps. so, uh...be forewarned, i guess? of something?

perhaps this will formalize certain musical associations with geographical locales. music is so powerful in that way.


Saturday, November 6, 2010

currently listening:

Sonic Youth
Wilco- Sky Blue Sky

Currently reading:

The Scarlet Letter- Nathaniel Hawthorne
Been really enjoying the chilly Fall weather lately, more than usual i think. perhaps my tastes are changing. perhaps i will be sick of winter come january.

either way, nothing is better than having some friends over for a comforting november meal. yes, this is what i did tonight, and there are few things i would have rather been doing, especially with such great folk as i currently find myself surrounded with.

in other news, it looks like my childhood dream of going snowboarding out west may finally be coming true thanks to plans for a western family vacay come december. the current iteration in my head (always) is to convince the folks to let me drive their car out a week or so ahead of time and meet up with some friends out in Colorado before heading to Utah to meet up with the folks in Salt Lake City. Then we would all drive up to Jackson, WY and have ourselves a grand ole western holiday. sounds great doesnt it? i think so.

man i miss the west, particularly, the wide open spaces, the fields, the anti sophistication, the road, the stars, the quiet, the peace. i have been looking for an excuse to get back there for a long time now.

been reading the scarlet letter lately. and this morning, while extremely caffeinated, i found myself having an epiphany, as i often do under the influence of caffeine, and found myself framing my next song in the terms of the irony of the prophetic voice. all of a sudden the abstractions made perfect sense, and the melody was there.

i wrote it down before i forgot.

another wedding tomorrow. who gets married at 11am?




Monday, October 18, 2010

Friends,

I have been extremely grateful of late to still be working at the gryphon for over two years now. what an amazing group of people it is that keeps me there. i love my job.

ive also been "interning" at Cedar Street Studios with Producer/Engineer Ted Richardson once a week, though my "internship" so far has involved less of the recording aspect of things, and more of the promotion/management/startup stuff necessary for both gearing up to hopefully head to SXSW this march as well as all the necessary odds and ends of starting a Co-op label. the label is going to be called The Cedar Street Collective, and, for now, will feature four bands from the local Philadelphia area, including The Mechanicals.

This weekend, after driving to northern PA to watch a good friend/old roommate get married, i stopped by AKA Music on 2nd street and picked up some Wilco (Yankee Hotel Foxtrot) and Joanna Newsom (The Milk Eyed Mender) on vinyl.

some artists currently getting a lot of spins in my phones: Phosphorescent, Sufjan Stevens new stuff The Age of Adz, Joanna Newsom, Wilco (interesting note- tried to get into these guys a couple years ago and couldnt, now im falling in love with them, especially their guitar player on A Ghost is Born), and Manchester Orchestra/Kevin Devine mashup Bad Books.

much love,
AM

Saturday, October 2, 2010

Dewey Beach Music Fez

Just played down here at DBMC this weekend. Also, saw some freakin cool bands.

Check out Grey Market (Tampa, FL) and fellow Philadelphians Turning Violet Violet- super cool people.

More to come.

Bye